Sony first announced back in June 2020 that the Sony ZV-1 vlogging camera would soon be able to act as a USB webcam. Just two months later, they delivered, adding support for not only the ZV-1 but 34 other Sony cameras as well. Now, though, a new firmware update lets you use the ZV-1 as
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Another leaked photo of the Sony FX3 has popped up on Twitter. And this one might go some way towards explaining why the Sony A1 doesn’t have a flippy out LCD when the Sony A7S III does. It seems that Sony might not have wanted cannibalise sales of their upcoming FX3 – largely rumoured to
[embedded content] Enhancing the colour in photographs, no matter what they may be, is a struggle that most photographers face. Sometimes it’s quite easy. At other times, it’s not. There are a million different methods for enhancing the colour in your images during different parts of your workflow, but this one from Blake Rudis at
[embedded content] Deepfakes are simultaneously both an amazing technological achievement and also scary as hell. The potential for movies and VFX work is huge, as has been proven by a number of YouTube channels showing deep fakes vs the CG versions of characters that have reappeared in various Star Wars movies. But there are obvious
[embedded content] Long exposure photography is a lot of fun, whether it’s landscapes, cityscapes or light painting. It’s a technique that offers a lot of options to show the world in photography in a way that we don’t normally get to see it with the naked eye. How to shoot them sounds obvious. The clue
[embedded content] The two-tone gelled split-lighting look is quite popular for portraits and fashion photography. Thanks to photographers like Jake Hicks, there are lots of tutorials out there on how to create this look in-camera. But what if you don’t have the gels? Or didn’t even think about trying to gel it during the time
If I lay my cards on the table, in my personal and professional work I prefer to avoid the use of flash in favour of natural light. In an ideal world, I like nothing better than working with a fleeting beam of winter sunlight that glances across a face full of character, producing the type
Being a photographer packs a whole lot of knowledge. You need to know your gear, composition, lighting, and a bunch of rules that you should follow (and then break). Not to mention photo editing programs, color theory, and some theory and history. But that’s why we love photography, right – there’s always something to learn
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